A young man is seated at a dimly lit and dusty old diner, in a tight frame, his eyes are fixated on a watch, showing clear signs of impatience. As he stirs an excessive amount of sugar into his coffee, the camera cuts to a handheld perspective under the table, showing the continuous tapping of his boot. It is designed to feel as tense as his anticipation. Outside the window, a muted yet vibrant sunset steals the show, filling the screen with a palette of oranges and yellows: a stark contrast to the teal interior of the diner. As the man continues to wait, the camera pans from his face, tracking an old Chevy with loud tailpipes pulling into the diner. The camera angle purposefully focuses on the man’s reaction rather than the new arrival. Everything hints at a premeditated meeting, the tension brought to an unforgiving crescendo as a silhouette steps from the car into the fading light of the setting sun.