A stressed young woman paces in a claustrophobically small office filled with posters advertising various property leasings. The camera follows her movement in a wide shot, emphasizing the cramped space with stacks of paperwork and mismatched furniture. She pauses, foregrounded in the dimly lit room illuminated weakly by a single lamp, to fiddle with a stubborn stapler, exhibiting her trait of ‘fixing’ broken things. Suddenly, the office door swings open and a tall, lanky man enters, his energetic entrance disrupting the static and tense atmosphere. He’s the goofball, shattering the tension with his infectious smile and absurd humor. He’s framed in a brighter, more dynamic light, contrasting with the woman’s dreary setting. Balance is maintained as he addresses the woman, offering a dichotomy of levity and seriousness.