A young woman, a meticulous cleaner by nature, methodically tidies a chaotic, cluttered antique shop. The interior of the shop is filled to the brim with various items – books, clocks, lamps, and particularly, a series of dusty, intricate Alençon laces draped over old wooden mannequins. The camera is placed at a low angle, emphasizing the sheer amount of work she has ahead of her. The lighting is soft, filtered through layers of dust-covered windows, casting a warm, golden-hued glow over the entire scene. Despite the disorder, there’s a sense of balance with the neatly organized sections lining the corners. Occasionally, the focus shifts as she discovers sketchier goods hidden amongst the mess – a mysterious key, an ominous-looking doll, an aged map. The woman’s placements in the shots vary – sometimes centralized, paused to scrutinize a peculiar object, and other times lost amongst the sea of items up for sale.