A dimly lit hospital room is softly illuminated by the light from an antique lamp on the bedside table. The intense focus is on an aged man lying on the hospital bed, his chest gently rising and falling with the rhythm of his pacemaker. He has a far away look in his eyes, lost in the world of a past only he remembers. His psychobiography unfolds in a series of black and white images, projected onto the room’s sterile white walls from an old film projector, that reveal glimpses of a life lived, both turbulent and triumphant. The camera angle alternates between close-ups of the man’s face, the flickering images on the wall, and the pulsating rhythm of his pacemaker. The color scheme is a muted mix of soft whites and grays, with the only sound being a faint ticking of the pacemaker and the distant hum of the projector in an otherwise silent room.