A gray-haired man, known as the best geomorphologist in the world, carefully observes an intricate composite map spread across an entire wall. The room is dimly lit, with the focus of the light on the map, casting the remainder of the scene into shadows. The cinematographer frames a medium close-up shot of the man’s face reflected in his glasses which magnify his intense, scrutinizing look. Suddenly his hand spearheads onto a specific location on the map with confidence. The color palette is dominated by blues and greys, symbolizing the intellectual coldness of scientific analysis. The depth is emphasized by the many layers of maps pinned one on top of the other on the wall. The balance is maintained by the cluttered desk on the right and the empty chair on the left. The camera angle is slanted slightly, interpreting the complexity of the geometric forms. There’s a stillness in the scene, with the only movement being the man’s hand striking the map. The whole room feels tight and packed, underlining the passionate obsession of the character.